Posts mit dem Label music werden angezeigt. Alle Posts anzeigen
Posts mit dem Label music werden angezeigt. Alle Posts anzeigen

Donnerstag, 4. Oktober 2012

[Music] The Electro Compendium pt.1


A friend of mine (let's call him Knut) recently wrote an article about a very interesting musical project called "The Electro Compendium". I asked him if I could publish it on JAZZFUCKED and he did not only say "yes" but he was even going to translate it, as the article was originally in German. Thx man! Good stuff. 


The Electro Compendium - A musical statement
Berlin, September 29th, by Philipp Rupp

They simply had to do it. Dave Paton from Scotland (39) and Jean-Paul Bondy (41) from Texas share a common, musical passion for many years now: Electro. This should be a simple, clear statement. But there’s a certain problem with the term.

Cover artwork for the Electro Compendium. © Geso 
Although Electro has got the same roots as other kinds of electronic music, like house or techno for example, it is a separate genre on its own. The music is characterized by a broken beat, which features a snare on the backbeat and basically a kick on the 1 and 3. Beyond the distinctive rhythm, the music comes with a very futuristic, highly technical and often dark minded attitude. Electro does strictly not want to sound earthly or natural, but artificial and mechanically. The conflict between man and machine is a constant, central topic. Computers, machines, robots and androids are omnipresent in the names of artists, tracks, covers, artworks, lyrics and in the music itself. It is this special, distinctive character, which gives electro its very own esthetic and deepness.

By steady misuse in the last years, the term electrogot more and more washed-out and unclear. In the meantime electro is even used as a collective term for all kinds of electronic music. This doesnt only cause communication problems, but leads to the serious danger, that the original style electro gets buried in oblivion. The Electro Compendium wants to act against this process. We were both sick of seeing the term being used for different styles, that are clearly not electro, and decided to do something about it.”, explains Jean-Paul Bondy. A lot of people are aware of this problem. 116 artists accounted a track for the compendium.

While techno and other genres of electronic music got more and more famous in the past decade, electro apparently stayed in the underground. Asked for the reasons, Dave Paton answers: I think, maybe it doesn't have the initial impact of a proper acid tune or a good techno stomper, but electro on a dancefloor can rock it as much as the techno classics.” And hes right: although electro is more abstract in its structure than straight techno or house, it comes with strong rhythms and is absolutely danceable.

As the involved artists live spread all over the globe, the project had to be realized across geographical distances. Facebook and Email made it possible. The whole idea actually was born in virtual networks, as Paton reports: „We have been reacting against the misuse of the word electro for some time. Mainly just at each other on forums and various other networks. Myself and JP were both removed from an electro group for having a discussion which was not welcome. My reaction was to simply set up my own electro group, mostly on a whim. Almost overnight all the producers I know and many more had joined up along with many other electro followers. The actual project (Anm: The Electro Compendium) was something that came to mind after many people had joined the group and were having good, friendly conversations on the subject of electro. I felt like we should make use of all
these people in one place. The main intention being to promote the genre and bring all the small fan bases of many different artists together. Time will tell if this has had any lasting effect.”

The honesty of the compendium also appears in the fact, that there was absolutely no money involved. All artists gave their music without any payment. Also the artwork and the administrative work of Bondy and Paton were free of charge. I just didn't want to involve money as it tends to dilute things. I don't believe in music as a business and I've never made music to make money.“, says Dave. Jean-Paul gets even more explicit: „Money ist the root of all evil.“ Consequentially the compilation is released as a free download in the web.

The Electro Compendiumis a great, high-quality compilation with the best and only real ambition music can have: passion. A corporate group of artists rises with an extensive piece of art against disregard and oblivion of its musical genre: Electro. The 116 tracks reach from experimental listening experience to raw, functional dancefloor-killers. For freshmen this compilation is an educational lesson a friendly invitation to get in touch with the cosmos of origin electro music. For lovers its a generous gift of unreleased material.

The Electro Compendiumis available as a free download under http://anti-social-network.bandcamp.com. Besides downloading it for yourself, your task is to support the mission by sharing and spreading this musical statement.



But still not enough of the good work: in addition to the music package, Jon Drukman (aka Bass Kittens) developed a really nice iOS-Mobile-App for The Electro Compendium. And guess what its available for free in your app-store. To end with Dave Patons words: „Electro is dead. Long live electro.” 


Note: Part 2 will feature an interview with the two main characters behind this project. It will be released tomorrow, right here. Stay detuned.

Freitag, 24. August 2012

[Music] XXYYXX - XXYYXX

Sooo, everybody who's somehow involved with electronic music nowadays stumpled upon the band with the weird, yet wonderful name XXYYXX, right?  (Don't feel bad if you didn't!)



But have you ever heard their music? Honestly it took me like forever to check them out. And then I found out most of their stuff is for free. You can download it at their bandcamp page, either for free or for a donation. Raw synth & groovebox based instrumentals with a lot of bass and highly effected vocals. As always, I dont wanna get lost into describing music, so check it out for yourself if interested. 





Montag, 23. Juli 2012

[Music] Drown in Frustration - Mid-90s Hardcore Punk from South Germany

I found this tape last week. The band is called Drown In Frustration and a dear friend of mine was part of it. I guess it was released around '96, but I can't tell for sure. The first track "Shine" definitely is my favorite. If I recall correctly, it was featured in a compilation back then, and was kind of an underground hit, but that might just be my perspective. Tune though. Big tune.






FYI: This tape was recorded and uploaded to my YT-channel in full compliance with the band. No innocent copyrights harmed.

Mittwoch, 30. Mai 2012

[Music] Open Goldberg Variations pres. J.S.Bach (BWV 988)









Today I found out about this nice project called "Open Goldberg Variations". Even though I don't now exactly what the idea behind it is, i think it's worth being postet. After all we get free music, that belongs to the public domain (which afaik means it is open for all kinds of playing, editing, remixing, ..). But you might wanna check what that means for yourself if you consider sampling it.





As you might have figured out by now it is about variations on classical music by the great Johann Sebastian Bach, BWV 988 (BachWerkeVerzeichniss), played by Kimiko Ishizaka.

On their homepage you'll find much more to discover like the open source musical score editor Musescore, which will be covered here in a seperate post, and which was used to produce the scores for the Open Goldberg Variations. All for free. Ain't that great ?!

Dienstag, 29. Mai 2012

[Music] Monokrak Netlabel


Some days ago Monokrak released its 118th record. As usual, the download is for free. A perfectly fine occasion to introduce this interesting netlabel:


Name: Monokrak
from: Geneva, Switzerland
since: 2006
by: Robert Vitali
Monokrak @ FACEBOOK


Press info:
MonoKraK records is now a netlabel oriented ambient and deep minimal techno. Founded in 2006 by Roberto Vitali and based in Geneva (Switzerland), the first goal was to be a quality vinyl label of electronic music. But faced with the difficulties of finding a distributor and manage an independent label, it was decided to transform the identity of MonoKraK. For those who are out of the music business, just because they are not a “good product”, there is another chance : netlabels. No more money in the affair, just music. The feeling to be free and to produce what or who you want is now a reality.

Recent release: Space Options - Below the Bottom






















DOWNLOAD





Donnerstag, 24. Mai 2012

[Music] ELBIS - The Tinhat Opera

Watch out! My man Elbis' comin through with his new release, presented by KREKPEK and available via Bandcamp for free. "The Tinhat Opera" delivers 18 remixes of MF Doom Tracks, featuring MFs Voice over beats from rough to experimental. Good stuff. Real stuff. No fancy shit.



























So what are you waiting for? 
Get your free copy here!

Mittwoch, 11. April 2012

[Music] Qunabu - Netlabel

Soft waves and pulses of delayed minor chords are slowly reaching my ear today from poland. Qunabu ist the name; Ambient, Dub and Minimal the music of this polish netlabel. Peter Kirn wrote a post last week that made me have a look at Qunabu. Up to now, I listened to two releases which broadly cover the aforementioned styles.

Soft, relaxing music...
For free..
Creative Commons, Baby!






























For more info check this article on CDM (which includes an interview with the founders), for their music visit their archives right here or under the netlabel tab of their homepage.

Sonntag, 8. April 2012

[Music] Wigwam - Fairyport (1971)

Wigwam is a finnish progressive rock band formed in 1968. I recently stumpled upon their album Fairyport, which was released in 1971 on Love Records (but recorded in '68). Great progressive stuff. Exactly what I associate with progressive rock music. Epic arrangements, folkish sounds, wonderful melodies and so on.






















Great musicians also, as far as I can judge that aspect. I especially like how they manage to integrate all the styles from jazz to folk to simple rock/blues without ever losing that mystique touch in their music. Positive shit. I postet the first track of this record, Losing Hold, on the bottom of this page. It gives you a good idea how they sound. Find their homepage here. The Discogs page for this release right there.

 



















Mittwoch, 28. März 2012

[Books] But Beautiful - A book about jazz (by Geoff Dyer)


But beautiful. Also special. Dangerous, maybe. Made me do things. Made me push my (musical) acting and thinking, too. Just check the infos I am posting here via video and reviews, paperback and so on. It should be enough to get a good idea about this book. I strongly suggest reading it in English as the original dialogues probably cant be translated too well. And I especially have to think about a dialogue between Charles Mingus and who was that again..Ben Webster? Yeah I guess so...Fucking hilarious..I was literally lying in bed, laughing out loud for about 5 minutes. Every new line making me laugh again...


 
'You dig them eggs, Mingus?'
'Yeah, I dig them eggs!'







I found a video by the Author Geoff Dyer. Cool Stuff. Cool author. I'll definitely check out his other books. Above the video I will put some editorial reviews. Enjoy. Buy here.


"May be the best book ever written about jazz."--David Thomson, Los Angeles Times
In eight poetically charged vignettes, Geoff Dyer skillfully evokes the music and the men who shaped modern jazz. Drawing on photos, anecdotes, and, most important, the way he hears the music, Dyer imaginatively reconstructs scenes from the embattled lives of some of the greats: Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonious Monk creating his own private language on the piano. However, music is the driving force of But Beautiful, and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician's style.



Donnerstag, 23. Februar 2012

R.E.M. - Losing my religion (1991)

Listening to it for the third time in a row now, I just couldn't resist posting this.
Pop music can be so good. 
Sometimes. 
Now. 



Ohhh, life is bigger,
it´s bigger than you
and you are not me.
The lengths that I will go to,
the distance in your eyes.
Oh no, I´ve said too much,
I set it up.

That´s me in the corner,
that´s me in the spot-light,
losing my religion.
Trying to keep - up - you
and I don´t know if I can do it.
Oh no ,I´ve said too much,
I haven´t said enough.

I thought that I heard you laughing,
I thought that I heard you sing,
I think I thought I saw you try.

Every whisper of every waking hour.
I´m choosing my confessions,
trying to keep eye on you.
like a hurt lost and blinded fool - fool.
Oh no, I´ve said too much,
I set it up.

Consider this,
consider this,
the hint of the century.
Consider this,
the slip,
that brought me to my knees - failed .
What if all these fantasies come - flailing around.
Now I´ve said - too much

I thought that I heard you laughing,
I thought that I heard you sing,
I think I thought I saw you try.

But that was just a dream,
that was just a dream!

That´s me in the corner,
that´s me in the spot-light,
losing my religion.
Trying to keep - up - you
and I don´t know if I can do it.
Oh no, I´ve said too much,
I haven´t said enough.

I thought that I heard you laughing,
I thought that I heard you sing,
I think I thought I saw you try.

But that was just a dream, - try, cry, why, try,
that was just a dream, - just a dream, just a dream, dream

Dienstag, 21. Februar 2012

Madlib Medicine Show #13 ft. MF Doom and Jadakiss

Yep, here we go again. Stones Throw Rec. just released part 13 of the highly recommended Madlib Medicine Show. I just recently got all the available Vinyls and CDs from overseas and although I was expecting a lot, I was again overwhelmed by Madlib's sickness and musical spectrum. Full Support. MMS features oustanding HipHop on the edge of its musical (not technical) evolution paired with mix-CDs full of Madlib's influences. Worth every fucking dollar.

Montag, 20. Februar 2012

"Blue Monk" played beautifully by german dudes

Not many words needed on this one. Great interpretation on Thelonious Monk's "Blue Monk". Especially got hooked on the guitar solo..but everything is nice..lovin' Jazz...lovin' it!


Mittwoch, 15. Februar 2012

The Cry of Jazz (1959)

'The Cry of Jazz' is reckognized as one of the earliest examples for Afro-American independent film making. It was produced in 1959 by Edward Bland.

Apparently, it is about Jazz. Less apparently, it is also about the theory, that the structure of Jazz mirrors the social situation of Afro-Americans back then

The great Sun Ra and his Arkestra are responsible for the music in this film. Reason enough to have a look. And listen!


More information is offered here:


International Movie Database


Wikipedia (EN)











 

Samstag, 11. Februar 2012

ELB Soundsystem EP inkl. Flipmatic RMX


Some time ago, I made a remix for an EP by ELB Soundsystem aka Elbis from Karlsruhe. He happened to be one of the first beatmakers/producers I worked with, digged for records and simply shared good times talking bout music and beats. The EP is still available on Elbis' Soundcloud page. Besides Elbis' original and my remix it features three more remixes from hiphop (Mars) via dubstep (Rob Zulla) to some deeper, housier stuff (Phaid). Have a listen!

Sonntag, 29. Januar 2012

John Coltrane - Giant Steps (1959) [Atlantic]



























Tracklist 
A1 Giant Steps 4:43 
A2 Cousin Mary 5:45 
A3 Countdown 2:21 
A4 Spiral 5:56 
B1 Syeeda's Song Flute 7:00 
B2 Naima 4:21 
B3 Mr. P.C. 6:57 




Credits 
Bass – Paul Chambers 
Drums – Art Taylor (tracks: A1 to B1, B3), Jimmy Cobb (tracks: B2) 
Engineer [Recording] – Phil Iehle, Tom Dowd 
Piano – Tommy Flanagan (tracks: A1 to B1, B3), Wynton Kelly (tracks: B2) Supervised By – Nesuhi Ertegun 
Tenor Saxophone – John Coltrane 
Written-By – John Coltrane

Mittwoch, 11. Januar 2012

Peter Schumann - Schoolyard EP on BlueCode Records
























Great EP by the great Peter Schumann (Bar25, Platte International) that was recently released on BlueCode Records, which I happen to run together with my buddy Tim Tor. Also featuring a very special remix by his darkness Benjamin Fehr (Catenaccio Rec.).

Check out the promo video and soundcloud set below. Support if you like what you hear. Strictly underground business. We the good guys! (: 






BCR010 Peter Schumann - Schoolyard EP by BlueCode Records

Montag, 9. Januar 2012

B Flat Jazz Club

Finally I made it to a jazz club in Berlin. It took me about 2 years so this is definitly worth a blogpost, right?!

























The name of the club is 'b-flat Accoustic Music and Jazz Club'. Its located in Berlin-Mitte,
Rosenthaler Straße, near U8 Weinmeisterstraße and it's supposed to be one of Berlins top addresses for live jazz. 


 



I'd definitely recommend this club to everybody who's down with jazz music. 
Cool atmo, cool view.Cold beer.
Cheers.

http://www.b-flat-berlin.de/

10119 Berlin-Mitte
Rosenthaler Str. 13
Fon+Fax +49 30 283 31 23

Öffnungszeiten:
So. - Do. ab 20:00
Fr. / Sa. ab 21:00