[Records] Weather Report - Sweetnighter (1973)

Loooong time since I reviewed the last Jazz record here. Way to long! I will make sure to post Jazz record reviews on a more regular basis. Promise!

So, today it's gonna be Sweetnighter, the 1973 album by Weather Report, the legendary Jazz band around band leader and genius Joe Zawinul. Lucky me, since I was introduced to this record waaaay back in the days when I was a kid. That is, besides the fact that it's an awesome record, the reason why it is mentioned here before other records that some people might judge more important to post. Sadly, I couldn't find any YouTube Clips for that record so I chose a live clip which at leadst shows how fucking cool those guys were and still are:

Review I found on Amazon.com that I found good:

The first reason to get this disk is aesthetic. "Sweetnighter" is a unique recording: it includes the least structured, open-ended music that Weather Report recorded, and it was the last one they made before technological progress armed Joe Zawinul with more synthesizers than was perhaps healthy.

Some jazz fan acquaintances used to point to this recording and complain that Zawinul had kidnapped Wayne Shorter and was holding incommunicado in some safe house in Newark. To them there were no solos. They missed the point. Rather than soloing over an accompanying rhythm section, Shorter plays a kind of running commentary, coming in an out of a mix in which the bass(es) and percussion are given equal billing to Shorter's sax and Zawinul's keyboards. Sometimes everyone solos at once and it takes very, very accomplished musicians to pull this off without it degenerating into cacophony.

Yet it would be misleading to pigeonhole this record as Weather Report surrenders to the groove. Perhaps the most remarkable composition on the disk is Miroslav Vitous' ethereal "Will" which is percussion-less. Indeed, one of the remarkable things about this record are how varied the six pieces are: two open-ended jams - "Boogie Woogie Waltz" and "125th Street Congress;" a fairly conventional Shorter composition "Manolette;" two Zawinul tone poems a la "In A Silent Way" or "His Last Journey," "Adios" and "Non-Stop Home;" and Vitous' transcendent "Will."

The other reason to get this disk is the way it sounds. The mass conversion of analogue tapes to digital formats has yielded some real disasters - e.g. Shorter's "Native Dancer" where entire instruments disappeared from the mix. This recording, in contrast, is a case in which the move to CD is a clear improvement over the original vinyl. Now the two basses on "Boogie Woogie Waltz" and "125th Street Congress" are clearly distinguishable, and similarly the multitudinous percussion instruments are more clearly defined. As another reviewer noted, never have Moroccan clay drums sounded so good. Roller toys and Israeli jar drums, either.

DISCOGS: 
http://www.discogs.com/Weather-Report-Sweetnighter/release/481001

[Art] Eine Ameise der Kunst - Jonathan Meese

A documentation about Jonathan Meese, an anti-ideologic german artist. Some say, one of the most important artists of our time. And he sure got very interesting views and ideas about the role (the dictatorship) of art. 

A movie by Julia Bender.

More info about Meese, in English language:


http://en.wikipedia.org/wiki/Jonathan_Meese

[Books] Christian Kracht - Faserland

Having been in many feuilletons of German newspapers lately, Christian Kracht fetched my interest some month ago. He is a Swiss author and journalist, who has been working for the well known magazine "Der Spiegel". Today I will not write about his new novel, Imperium, but about his first: Faserland.

I can't remember what exactly I liked so much about it. Maybe the fact that after a long book it was easy to finish in two days. It doesn't really have a thrilling story: It's about a well-situated man in his thirties or forties, who is travelling from the very north of Germany to Switzerland via south germany. He meets old friends and more or less intensely interfears with their lives in a not so positive way.

[Music] Jaco Pastorius - Modern Electric Bass

This video called "Modern Electric Bass" contains an interview of the greatest  E-Bass player of the world: Jaco Pastorius. 



Jaco not only revolutionized electric bass playing by taking out the frets of his Fender bass (fretless bass) but also was the most complete bass player. In the video he talks about practicing, exercises, the instrument, melodical, harmonical and rhythmical aspects and much more. A lot of interesting stuff for any bassist, guitarist or just any musician.

[MISC] KREKPEK Skateboards Berlin

KREKPEK // MOA49 // ODDSUPPLY // BERLIN  // SKATEBOARDING //
BEATZ // NAHUEL KIRCHHOFF //  FIGUB BRAZLEVIC //


"FUCK YEAH"